WHAT’S MY STORY (BOARD)?
An Adventure for Gatas y Vatas
by Nora Kostelnik
My mom used to always say that the world is not made up of atoms. The world is made up of stories. I understand that now. It may be a cliché but for me it’s true, that however I see my present situation determines how my future will unfold. Until the next time I change my story that is…
Back in Seattle where I was born, I had spent a life-time building up a community of family and friends who understood who I was as an artist. Hell, their grunge stories were not that different from mine so it was relatively easy. But those stories don’t work for me anymore because they don’t fit with the physical landscape and social context of my new home.
In Seattle, moss and six-months-a-year-of-dark-days push complicated and angst-ridden stories out of your soul that the dry dusty dirt here in Albuquerque pares down, simplifies, and laughs at. After nine years of the wind slapping my face and shouting ‘no silly, that’s not the real story’, it turns out that all I needed was an actual story-board to figure out what the next incarnation of my identity would look like.
Last year when I performed a few songs at the first ‘Gatas y Vatas’ festival, one of the artists came up to me and confessed that she loved my energy and wanted to get to know me. I was crying when she hugged me because I am usually the one who risks initiating such a connection. It felt like such a relief to be on the other side of this scenario. Talk about the beginning of a new story!
Fast forward and this girl Mauro and I are having lunch, swapping stories about all the art-babies we have birthed and making plans for how we can support each other in continuing to nurture them. Later, Mauro introduced me to hermom Cecelia and we hit it off too. She (magically) happened to be a film-maker and like me, wanted to make a music video. But I still didn’t know what my story was. I felt frustrated yet working with Cecelia and her editor friend Roberto was easy.
Secretly I confessed to myself the hope that this collaboration would somehow get difficult and complicated like it used to be back in Seattle. I didn’t want to part with the comfort and familiarity my old habits had brought me, even when in the long-run, they were hurting me.
When I shared this with my film-making team, just admitting it (magically) showed me how the conflict between comfort and growth was part of my new story about addiction. It felt safe to tell Cecelia and Roberto that although I had never been into using drugs or alcohol, Counselors pointed out how picking fights in a relationship is one way to continuously secrete the substance adrenaline from my brain!
After I wrote two new songs about these emerging themes, I drew a picture for each feeling that each part of the story brought up. At first it felt awkward to share my crude stick figures with other people, but my new easy-going and trustworthy team loved it!
For the song ‘Love is a Funny Thing’, Cecelia’s husband Steve who (magically) happened to be a professional painter and drawer, took all of our ideas and made a story-board. That process made us better prepared to take the next step which was shooting the actual video that matched up with each frame on paper. One part of the storyboard has three frames in it. One picture shows me pulling a heart-shaped cake into the oven, another one shows me pulling a knife out from under my skirt, and the last one shows me slicing open the cake and blood is pouring out! I wanted the visuals to represent my emotional and spiritual surrender to my faith in love no matter how ridiculous it gets, and I’m going to eat it for dessert, for the rest of my doggone life!
After shooting the video for my first Albuquerque-Identified song, I felt confident enough to begin working on another one. It is based on the related fear of wonderful yet silly love. In particular, it’s about how so many of my friends seem to be married to the ‘green goddess’ (marijuana) while I remain in the back-ground, as a neglected mistress.
My current best-friend (magically) happens to be committed to recovery like I am, and is an artist who helped me to transform my stick-figures and concepts into my next story-board much like the way Cecelia and Roberto and Mark were able to do. The drawings I like best are of a spunky girl in a gi (“gee”) practicing a brazillian jiu-jitsu move on me. The marijuana leaves behind her ears look like hair barettes! Hopefully the story-board, and later the music video itself, will convey my physical surrender to the green goddess, not by smoking her, or trying to keep other people from smoking her, but by my ability to admit that I am my own goddess and can never win or even compete with her.
This last story is one that I would never have been able to believe when I was just a teenager and young adult living in Seattle. I am grateful and humbled by the desert landscape here and I feel inspired and hopeful because of the peoplehere—-people like Marisa Demarco who is putting together an all womens music festival called ‘Gatas y Vatas’ in November.
This festival is helping many of us women artists claim our creative powers. With this power, and a place to use it, I am choosing to heal rather than destroy my dear heart.
- January 11 2012 | - Read More →







